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Joshua Bloom – double bass

Australian bass Joshua Bloom studied at the Young Artist Programme of Opera Australia, and later the Merola and Adler Fellowship Programmes at the San Francisco Opera.

Recent engagements include Masetto Don Giovanni (Metropolitan Opera and Los Angeles Opera); Escamillo Carmen, the title role of Le nozze di Figaro, Rodolfo La sonnambula and Leporello Don Giovanni (Opera Australia); Harašta The Cunning Little Vixen (New York Philharmonic); Leporello Don Giovanni, Alidoro La Cenerentola, Don Fernando Fidelio and Harašta The Cunning Little Vixen (Garsington Opera); Truffaldino Ariadne auf Naxos (Metropolitan Opera); Quince A Midsummer Night’s Dream in Bari and in Reggio Emilia; Colline La bohème (Royal Philharmonic Orchestra); Angelotti Tosca (Los Angeles Opera); Collatinus The Rape of Lucretia (Teatro Dante Alighieri, Ravenna); and appearances with San Francisco Opera, Santa Fe Opera, and the Wiener Staatsoper.

Engagements in the 2014/15 season include Colline La bohème (Washington National Opera) and the Pirate King The Pirates of Penzance for English National Opera.

In concert, Bloom has appeared with the Melbourne, Queensland, Adelaide and Western Australian Symphonies, as well as the New York Philharmonic, the LA Philharmonic and the Birmingham Contemporary Music Group

© Patrick Togher Artists’ Management 2015

Joshua Bloom has appeared with the Zelman Symphony in the following concerts:

26 July 2015 - Verdi Requiem

The above details were supplied by the individual performer and were current at the time of their last performance with the Zelman Symphony.

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Page last modified on January 09, 2020, at 12:56 PM